Harold Pinter/Bibliografia

Harold Pinter

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Bibliografia
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(Nr. 28 della Serie letteratura moderna)

☆ — Introduzione Harold Pinter/Introduzione

PARTE I – TESTO E CONTESTO

PARTE II – RAPPRESENTAZIONE

PARTE III – REAZIONI A PINTER

☆ — Cronologia Harold Pinter/Cronologia

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BIBLIOGRAFIA

Per approfondire, vedi Bibliography of Harold Pinter, Vita e Opere di Harold Pinter e Characteristics of Harold Pinter's work.

Opere di Pinter

Per approfondire, vedi Template:Tutte le Opere di Pinter (en).

Drammi

Harold Pinter: Plays One (Introduction: ‘Writing for the Theatre’; The Birthday Party; The Room; The Dumb Waiter; A Slight Ache; The Hothouse; A Night Out; The Black and White (monologue); The Examination (short story) (1991; London: Faber, 1996).

Harold Pinter: Plays Two (Introduction: ‘Writing for Myself’; The Caretaker; The Dwarfs; The Collection; The Lover; Night School; Revue Sketches: Trouble in the Works; The Black and White; Request Stop; Last to Go; Special Offer (1991; London: Faber, 1996).

Harold Pinter: Plays Three (Introduction: speech by Pinter on being awarded the 1970 German Shakespeare Prize; The Homecoming; Tea Party; The Basement; Landscape; Silence; Night; That’s Your Trouble; That’s All; Applicant; Interview; Dialogue for Three; Tea Party (short story); Old Times; No Man’s Land) (1991; expanded edn London: Faber, 1997).

Harold Pinter: Plays Four (Introduction: speech by Pinter on receiving the David Cohen Literature Prize, 1995; Betrayal; Monologue; Family Voices; A Kind of Alaska; Victoria Station; Precisely; One for the Road; Mountain Language; The New World Order; Party Time; Moonlight; Ashes to Ashes) (1993; expanded edn London: Faber, 1998).

‘Celebration’ and ‘The Room’ (London: Faber, 2000).

One for the Road (Methuen: London, 1984) (contains a discussion between Pinter and Nick Hern on the play and its politics).

Remembrance of Things Past (adapted for the stage from the original screenplay, by Pinter and Di Trevis) (London: Faber, 2000).

Sceneggiature

The Proust Screenplay: À la Recherche du temps perdu (London: Methuen, 1977).

The Servant and Other Screenplays (The Pumpkin Eater, The Quiller Memorandum, Accident, The Go-Between) (London: Faber, 1991).

The French Lieutenant’s Woman and Other Screenplays (The Last Tycoon, Langrishe, Go Down) (London: Faber, 1991).

The Heat of the Day (London: Faber, 1989).

The Comfort of Strangers and Other Screenplays (Reunion, Victory, Turtle Diary) (London: Faber, 1990).

The Trial (London: Faber, 1993).

Altri scritti

The Dwarfs (London: Faber, 1990).

Collected Poems and Prose (London: Faber, 1991).

Ten Early Poems (Greville Press pamphlets, 1992).

Various Voices: Prose, Poetry, Politics 1948–1998 (London: Faber, 1998);
⇒ riveduto come ⇒
Various Voices: Prose, Poetry, Politics 1948–2005 (London: Faber, 2005).

OPERE SU PINTER

Gale, Steven H., Harold Pinter: An Annotated Bibliography (Boston: G. K. Hall, 1978).

Page, Malcolm, File on Pinter (London: Methuen, 1993).

Interviste

Gussow, Mel (ed.), Conversations with Pinter (London: Nick Hern Books, 1994).

Per un elenco completo delle interviste con Pinter, cfr. Mark Batty, About Pinter: The Playwright and the Work (London: Faber, 2001), pp. 234–9.

Fonti secondarie

Almansi, Guido e Henderson, Simon, Harold Pinter (London: Methuen, 1983).

Anderson, Michael, ‘Anger’ and Detachment: A Study of Arden, Osborne, and Pinter (London: Pitman, 1976).

Armstrong, Raymond, Kafka and Pinter: Shadow-Boxing: the Struggle Between Father and Son (Basingstoke: Macmillan, 1999).

Baker, William e Tabachnick, Stephen Ely, Harold Pinter (Edinburgh: Oliver and Boyd, 1973).

Batty, Mark, Writers and their Work: Harold Pinter (Tavistock: Northcote House, 2001).

―― About Pinter: The Playwright and the Work (London: Faber, 2005).

Billington, Michael, The Life and Work of Harold Pinter (London: Faber, 1996); ediz. riv. pubbl. come Harold Pinter (London: Faber, 2007).

Bold, Alan (ed.), Harold Pinter: You Never Heard Such Silence (London: Vision Press, 1984; Totowa, NJ: Barnes and Noble, 1985).

Burkman, Katherine H., The Dramatic World of Harold Pinter: Its Basis in Ritual (Columbus, OH: University of Ohio Press, 1971).

Burkman, Katherine H. e Kundert-Gibbs, John L. (eds.), Pinter at Sixty (Bloomington and Indianapolis: Indiana University Press, 1993).

Cave, Richard Allen, New British Drama in Performance on the London Stage: 1970–1985 (Gerrards Cross: Colin Smythe, 1987).

Diamond, Elin, Pinter’s Comic Play (Lewisburg, PA: Bucknell University Press, 1985).

Dukore, Bernard F., Where the Laughter Stops: Pinter’s Tragi-Comedy (Columbia, MO: University of Missouri Press, 1976).

―― Harold Pinter (London: Macmillan, 1982; ed. riv., 1988).

Elsom, John (ed.), Post-War British Theatre Criticism (London: Routledge & Kegan Paul, 1981).

Esslin, Martin, The Theatre of the Absurd, ed. riv. (New York: Doubleday/Anchor, 1969).

―― Pinter the Playwright (London: Methuen, 1982) (riv., pubbl. orig. come The Peopled Wound, 1970).

Gabbard, Lucina Paquet, The Dream Structure of Pinter’s Plays: A Psychoanalytic Approach (Cranbury, NJ, and London: Associated University Presses, 1976).

Gale, Steven H., Butter’s Going Up: A Critical Analysis of Harold Pinter’s Work (Durham, NC: Duke University Press, 1977).

―― Harold Pinter: Critical Approaches (London: Asssociated University Presses, 1986).

―― Sharp Cut: Harold Pinter’s Screenplays and the Artistic Process (Lexington, KY: University Press of Kentucky, 2003).

Gale, Steven H. (ed.), Critical Essays on Harold Pinter (Boston: G. K. Hall, 1990).

Ganz, Arthur (ed.), Harold Pinter: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, 1972).

Goodwin, John (ed.), Peter Hall’s Diaries (London: Hamish Hamilton, 1983).

Gordon, Lois, Stratagems to Uncover Nakedness: The Dramas of Harold Pinter (Columbia, Missouri, 1969).

Gordon, Lois (ed.), Harold Pinter: A Casebook (New York and London: Garland Publishing, 1990; 2a ediz., New York & London: Routledge, 2001).

Grimes, Charles, Harold Pinter’s Politics: A Silence Beyond Echo (Teaneck: Fairleigh Dickinson Press, 2005).

Hall, Ann C., ‘A Kind of Alaska’: Women in the Plays of O’Neill, Pinter and Shepard (Carbondale, IL: Southern Illinois University Press, 1993).

Hall, Peter, Exposed by the Mask (London: Oberon, 2000).

―― Making an Exhibition of Myself (London: Sinclair-Stevenson, 1993).

Hayman, Ronald, Harold Pinter (London: Heinemann, ed. riv., 1980).

Hinchcliffe, Arnold P., Harold Pinter (New York: Twayne, 1975).

Hollis, James H., Harold Pinter: The Poetics of Silence (Carbondale, IL: Southern Illinois University Press, 1970).

Innes, Christopher, Modern British Drama, 1890–1990 (Cambridge: Cambridge University Press, 1992).

Kennedy, Andrew, Six Dramatists in Search of a Language (Cambridge: Cambridge University Press, 1975).

Klein, Joanne, Making Pictures: The Pinter Screenplays (Columbus: Ohio State University Press, 1985).

Knowles, Ronald, Understanding Harold Pinter (Columbia, SC: University of Southern Carolina Press, 1995).

Lahr, John, A Casebook on Harold Pinter’s ‘The Homecoming’ (New York: Grove Press, 1971).

Marowitz, Charles, Milne, Tom, e Hale, Owen (eds.), The Encore Reader (London: Methuen, 1965).

Merritt, Susan H., Pinter in Play: Critical Strategies and the Plays of Harold Pinter (Durham, NC: Duke University Press, 1990).

Morrison, Kristin, Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter (Chicago and London: University of Chicago Press, 1983).

Peacock, D. Keith, Harold Pinter and the New British Theatre (Westport: Greenwood Press, 1997).

Prentice, Penelope, The Pinter Ethic: The Erotic Aesthetic (New York and London: Garland, 1994).

Regal, Martin S., Harold Pinter: A Question of Timing (Basingstoke: Macmillan, 1995).

Renton, Linda, Pinter and the Object of Desire: An Approach through the Screenplays (Oxford: Legenda, 2002).

Quigley, Austin E., The Pinter Problem (Princeton, NJ: Princeton University Press, 1975).

Sakellaridou, Elizabeth, Pinter’s Female Portraits: A Study of Female Characters in the Plays of Harold Pinter (Basingstoke: Macmillan, 1988).

Schroll, Herman T., Harold Pinter: A Study of His Reputation (1958–69) and a Checklist (Metuchen, NJ: Scarecrow Press, 1971).

Scott, Michael (ed.), Harold Pinter: ‘The Birthday Party’, ‘The Caretaker’ and ‘The Homecoming’: a Casebook (Basingstoke: Macmillan, 1986).

Silverstein, Marc, Harold Pinter and the Language of Cultural Power (London: Associated University Presses, 1993).

Smith, Ian (ed.), Pinter in the Theatre (London: Nick Hern Books, 2005).

Strunk, Volker, Harold Pinter: Towards a Poetics of his Plays (New York: P. Lang, 1989).

Sykes, Arlene, Harold Pinter (New York: Humanities Press, 1970).

Thompson, David T., Pinter: The Player’s Playwright (Basingstoke: Macmillan, 1985).

Trussler, Simon, The Plays of Harold Pinter: An Assessment (London: Gollancz, 1973).

Worth, Katharine, Revolutions in Modern English Drama (London: G. Bell and Sons, 1972).

Zarhy-Levo, Yael, The Theatrical Critic as Cultural Agent: Constructing Pinter, Orton and Stoppard as Absurdist Playwrights (London: Peter Lang, 2001).

―― The Making of Theatrical Reputations: Studies from the Modern London Theatre (Iowa City: University of Iowa Press, 2008).

Periodici

I riferimenti agli articoli pubblicati su periodici si trovano nelle note dei singoli Capitoli.

Modern Drama, 17 (Dicembre 1974) (Harold Pinter issue).

Francis Gillen e Steven H. Gale (curr.), The Pinter Review (Tampa, FL: University of Tampa Press) (Prezioso resoconto annuale e commentario sugli studi relativi a Pinter)