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BIBLIOGRAFIA SCELTA

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Abbott, Ruth. “Wordsworth’s ‘Immortality’ Ode.” Nostalgia and the Shapes of History Conference. Queen Mary, University of London. Giugno 2008.

Abel, Marco. “One Goal is Still Lacking: The Influence of Friedrich Nietzsche’s Philosophy on William Faulkner’s ‘The Sound and the Fury’.” South Atlantic Review 60.4 (Nov 1995): 35-51.

Agacinski, Sylviane. Time Passing: Modernity and Nostalgia. Trad. Jody Gladding. European Perspectives: A Series in Social Thought and Cultural Criticism. New York: Colombia University Press, 2000.

Ackerley, Chris e Lawrence J. Clipper. A Companion to ‘Under the Volcano’. Vancouver: University of British Colombia Press, 1984.

Aldington, Richard. Death of a Hero (1929). London: The Hogarth Press, 1984.

Alla ricerca di Marcel Proust, Wikibooks 2025.

Amore, Arte e Verità: la filosofia di W. Somerset Maugham, Wikibooks 2023.

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Appadurai, Arjun. Modernity at large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trad. Willard R. Trask. New Jersey: Princeton University Press, 1991.

Austin, Frances O. “Ing forms in Four Quartets.” English Studies 63.1 (1982): 23-31.

———. “Making Sense of Syntax: A Reply to Peter Barry.” English Studies 66.2 (1985): 167-68.

Austin, Linda M. Nostalgia in Transition, 1780-1917. London: University of Virginia Press, 2007.

Baird, Leonard. Rev. of The Great Gatsby, by F. Scott Fitzgerald. Life 85, 30 Apr. 1926. F. Scott Fitzgerald. The Critical Reception. Ed. Jackson Bryer. New York: Burt Franklin and Co., 1978: 208.

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Barthes, Roland. “La mort de l’auteur” (1968) [“Death of the Author”]. Image Music Text. Trad. Stephen Heath. London: Fontana Press, 1977. 142-48.

Batcho, K. I. "Nostalgia: A Psychological Perspective", Perceptual and Motor Skills 80 (1995): 131-43.

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Baudelaire, Charles. Le Fleurs de Mal (1857) [The Flowers of Evil]. Trad. Richard Howard. Brighton: The Harvester Press, 1982.

———. The Painter of Modern Life and Other Essays. Trad. Jonathan Mayne. London: Phaidon, 1995.

Baudrillard, Jean. “The Evil Demon of Images and The Precession of Simulacra.” Postmodernism: A Reader. Ed. Thomas Doherty. Essex: Harvester Wheatsheaf, 1993: 194-99.

Baumeister, R. F. and M. R. Leary. “The Need to Belong: Desire for Interpersonal Attachments as a Fundamental Human Motivation.” Psychological Bulletin 117 (1995): 497-529.

Benjamin, Walter. Das Passagen-Werk [The Arcades Project]. Trans. Howard Eiland and Kevin McLaughlin. London: Belknap Press, 1999.

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Berger Peter L., Brigitte Berger, and Hansfried Kellner. The Homeless Mind: Modernization and Consciousness. New York: Random House, 1973.

Bergson, Henri. Matière et mémoire (1896) [Matter and Memory]. Trad. Nancy Margaret Paul and W. Scott Palmer. New York: Dover Publications, Inc., 2004.

Berman, Marshall. All That is Solid Melts Into Air: The Experience of Modernity. London: Verso, 1983.

Best, J. and E. E. Nelson. “Nostalgia and Discontinuity: A Test of the Davis Hypothesis.” Sociology and Social Research 69 (1985): 221-33.

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Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.

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Brinker, Menachem. “Two Phenomenologies of Reading: Ingarden and Iser on Textual Indeterminacy.” Poetics Today 1.4 (Summer 1980). 203-12.

Brooks, Cleaneth “Man, Time, and Eternity.” The Sound and the Fury: An Authoritative Text, Backgrounds and Contexts, Criticism. Ed. David Minter. London: Norton Critical Edition, 1994. 323-39.

Bryer, Jackson R. “Style as Meaning in The Great Gatsby: Notes Toward a New Approach.” Critical Essays on F. Scott Fitzgerald´s The Great Gatsby. Ed. Scott Donaldson. Boston: G. K. Hall, 1984. 117-29.

Burgess, Anthony. A Clockwork Orange (1962). Harmondsworth: Penguin, 1972.

Burton, Robert. The Anatomy of Melancholy: A Selection. Ed. Kevin Jackson. Manchester: Carcanet, 2004.

Carroll, Noël. “Art, Narrative, and Emotion.” Emotion and the Arts. Ed. Mette Hjort and Sue Laver. Oxford. Oxford University Press, 1997. 190-211.

———. The Philosophy of Horror, or Paradoxes of the Heart. New York, Routledge, 1990.

Casey, Edward S. “The World of Nostalgia.” Man and World 20 (1987): 361-84.

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Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” Representations 20 (Fall 1987): 187-228.

Colley, Ann C. Nostalgia and Recollection in Victorian Culture. London: Macmillan Press Ltd., 1998.

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Conrad, Joseph. “Heart of Darkness” (1899). Youth; Heart of Darkness; The End of the Tether. Ed. Owen Knowles. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2010.

Cottle, Brooks. Rev. of All the Sad Young Men, by F. Scott Fitzgerald .“Books and their Authors.” F. Scott Fitzgerald: The Critical Reception. Ed. Jackson R. Bryer. New York: Burt Franklin, 1978. 276-77.

Culler, Jonathan. “Literary Competence.” Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Jane P. Tompkins. London: The John Hopkins University Press, 1980. 101-17.

Currie, Gregory. The Nature of Fiction. Cambridge: Cambridge University Press, 1990.

———. “The Paradox of Caring: Fiction and the Philosophy of Mind.” Emotion and the Arts. Ed. Mette Hjort and Sue Laver. Oxford. Oxford University Press, 1997. 63-77.

Currie, Mark. About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh: Edinburgh University Press, 2007.

Darton, Syliva Mary. Nostalgia for Paradise. London: Darton, Longman and Todd, 1965.

Davis, Fred. Yearning for Yesterday: A Sociology of Nostalgia. London: New York Free Press, 1979.

De Sousa, Ronald. “Fetishism and Objectivity in Aesthetic Emotion.” Emotion and the Arts. Ed. Mette Hjort and Sue Laver. Oxford. Oxford University Press, 1997. 177-89.

Dickens, Charles. Great Expectations. Boston: Estes and Lauriat, 1881.

Dike, Vera. Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia. Cambridge: Cambridge University Press, 2003.

Doyno, Victor A. “Patterns in The Great Gatsby.” Critical Essays on F. Scott Fitzgerald´s The Great Gatsby. Ed. Scott Donaldson. Boston: G. K. Hall, 1984. 95-105.

Dryden, John. “Mac Flecknoe.” The Works of John Dryden in Verse and Prose. Vol. 1. New York: Harper and Brothers, 1837. 114-16.

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Ebert, Roger. Rev. of American Graffiti. Chicago Sun-Times. 11 Aug. 1973. RogerEbert.com. 17 Nov. 2011.

Eco, Umberto. A Theory of Semiotics. London: Indiana University Press, 1976.

———. The Role of the Reader: Explorations in the Semiotics of Texts (1979). Bloomington: Indiana University Press, 1984.

Eliot, T. S. Four Quartets. “Burnt Norton.” New York: Harcourt, 1943.

Erlich, Susan. “Aspect, foregrounding and point of view.” Text - Interdisciplinary Journal for the Study of Discourse 7.4 (1987): 363–376.

Faulkner, William. The Sound and the Fury (1929). London: Vintage Books, 1995.

———. “William Faulkner: An Introduction to The Sound and the Fury.” The Sound and the Fury: An Authoritative Text, Backgrounds and Contexts, Criticism. Ed. David Minter. London: Norton Critical Edition, 1994. 218-24.

Feagin, Susan L. “Imagining Emotions and Appreciating Fiction.” Emotion and the Arts. Ed. Mette Hjort and Sue Laver. Oxford. Oxford University Press, 1997. 50-62.

Fish, Stanley. “Literature in the Reader: Affective Stylistics.” Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Jane P. Tompkins. London: The John Hopkins University Press, 1980. 70-100.

Fitzgerald, F. Scott. “One Trip Abroad” (1930). The Short Stories of F. Scott Fitzgerald. Ed. Matthew J. Bruccoli. New York: Scribner, 2003.

———. Tender is the Night (1934). London: Penguin Books, 1955.

———. The Great Gatsby (1925). Ed. Matthew J. Bruccoli. New York: Scribner, 2003.

———. “’The Sensible Thing’” (1923). All the Sad Young Men. Ed. James K. West III. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2007. 151-65.

———. “Winter Dreams” (1922). All the Sad Young Men. Ed. James K. West III. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2007. 43-65.

Fowler, Doreen. Faulkner: The Return of the Repressed. London: University Press of Virginia, 1997.

Fowles, John. The French Lieutenant's Woman. London: Cape, 1969.

Freud, Sigmund. “Beyond the Pleasure Principle.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 18. 1914-1916. Trans. James Strachey and Anna Freud. London: The Hogarth Press, 1955.

———. “Eine ertsällte Traum ahnung.” Gesamelte Werke. Vol. 17. London: Imago Publishing Company, 1941.

———. “The Interpretation of Dreams.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 5. Trans. James Strachey and Anna Freud. London, The Hogarth Press, 1953.

———. “Mourning and Melancholia” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 14. 1914-1916. Trans. James Strachey and Anna Freud. London: Vintage, The Hogarth Press, 2001. 237-60.

Friedman, Lawrence. ”Kant’s Theory of Time.” The Review of Metaphysics. 7.3 (Mar. 1954): 379-88.

Friedman, Norman. “Point of View in Fiction.” PMLA 70.5 (Dec. 1955): 1160-84.

Frost, Isaac. “Homesickness and Immigrant Psychoses. Austrian and German Domestic Servants the Basis of Study.” Journal of Mental Science 84 (1938): 801-47.

Gabriel, Yiannis. “Organizational Nostalgia: Reflections on ‘The Golden Age’.” Emotion in Organizations. Ed. Stephen Fineman. London: Sage, 1993. 118-41.

Genette, Gérard. “Discours du recit” (1972). Narrative Discourse: An Essay in Method. Trans. Jane E. Lewin. Ithaca, New York: Cornell University Press, 1983.

Goldsmith, Oliver. “The Deserted Village.” The Complete Works of Oliver Goldsmith. Vol. 2. London: Thomas Tegg, 1825. 49-61.

Grainge, Paul. Monochrome Memories: Nostalgia and Style in Retro America. London: Praeger, 2002.

Gray, Thomas. “Elegy Written in a Country Churchyard.” The Poetical Works of Thomas Gray. Philadelphia: Benjamin, Jacob, Robert Johnson, 1804: 110-25.

———. “Ode on a Distant Prospect of Eton College.” The Poetical Works of Thomas Gray. Philadelphia: Benjamin, Jacob, Robert Johnson, 1804: 37-43.

———. “The Progress of Poesy.” Odes by Mr. Gray. Strawberry-Hill: R. and J. Dodsley, 1757. 5-11.

Gross, Beverly. “Form and Fulfillment in The Sound and the Fury.” William Faulkner: Critical Assessments: Assessments of Individual Works: From Early Writings to As I Lay Dying. Ed. Henry Claridge. Vol. 2. East Sussex: Helm International, 1999. 282-91.

Halbwachs, Maurice. On Collective Memory. Ed. and Trans. Lewis A. Coser. London: The University of Chicago Press, 1992.

Halbwachs, Maurice. The Collective Memory. Trans. Francis J. Ditter Jr. and Vida Yazdi Ditter. New York: Harper and Row, 1980.

Harré, Rom. “Emotion in Music.” Emotion and the Arts. Ed. Mette Hjort and Sue Laver. Oxford. Oxford University Press, 1997. 110-18.

Hart, James G. “Toward a Phenomenology of Nostalgia,” Man and World: An International Philosophical Review 6.4 (Nov 1973): 397–420.

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Hemmings, Robert. “A Taste of Nostalgia: Children’s Books from the Golden Age—Carroll, Grahame, and Milne.” Children's Literature 35 (2007): 54- 79.

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———. “Irony, Nostalgia, and the Postmodern.” Methods for the Study of Literature as Cultural Memory, Studies in Comparative Literature 30 (2000): 189-207.

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