DescrizioneThe eight musical modes.png	The eight musical modes.
Data	Data sconosciuta Unknown date
Fonte	Created by bdesham with GNU LilyPond and post-processed with GraphicConverter. The original version of this image was made by en:User:Hyacinth. The fs in the image are those designated by Curtis as "final". The sources listed at that image page are: Judd, Cristle Collins (ed.) (1998). Tonal Structures of Early Music. New York: Garland Publishing. ISBN 0815323883 Liane Curtis. "Mode".
Autore	Benjamin D. Esham (bdesham)
Licenza (Riusare questo file)	As a courtesy (but not a requirement), please e-mail me or leave a note on my talk page if you use this image outside of Wikipedia. Thanks! Benjamin D. Esham, detentore del copyright su quest'opera, dichiara di pubblicarla con la seguente licenza: Public domainPublic domainfalsefalse Io, detentore del copyright su quest'opera, la rilascio nel pubblico dominio. Questa norma si applica in tutto il mondo. In alcuni paesi questo potrebbe non essere legalmente possibile. In tal caso: Garantisco a chiunque il diritto di utilizzare quest'opera per qualsiasi scopo, senza alcuna condizione, a meno che tali condizioni siano richieste dalla legge.

LilyPond source

The musical notation in this image was rendered by LilyPond, a free-software engraving program. Here is a listing of the LilyPond source used to create this file.

\version "2.16.0"

tune = \relative c' {
  \clef treble
  \key c \major
  \time 8/1

  % prevent bar number display on the second line
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 100)

  d1^\markup{\large{\bold{1. Dorian}}}_\markup{\large{\bold{f}}} e f g a b_\markup{\large{*}} c d
  e,^\markup{\large{\bold{3. Phrygian}}}_\markup{\large{\bold{f}}} f g a b c d e
  f,^\markup{\large{\bold{5. Lydian}}}_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c d e f
  g,^\markup{\large{\bold{7. Mixolydian}}}_\markup{\large{\bold{f}}} a b c d e f g
  \break
  a,,^\markup{\large{\bold{2. Hypodorian}}} b_\markup{\large{*}} c d_\markup{\large{\bold{f}}} e f g a
  b,^\markup{\large{\bold{4. Hypophrygian}}} c d e_\markup{\large{\bold{f}}} f g a b
  c,^\markup{\large{\bold{6. Hypolydian}}} d e f_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c
  d,^\markup{\large{\bold{8. Hypomixolydian}}} e f g_\markup{\large{\bold{f}}} a b c d
}

#(set-default-paper-size "letter" 'landscape)
#(set-global-staff-size 22)

\score {
  \new Staff \with { \remove Time_signature_engraver} { \tune }
  \layout { 
    \context {
      \Score
      \override SpacingSpanner
        #'common-shortest-duration = #(ly:make-moment 1 2)
    }
  }
}
\markup{\large{* Under certain conditions, the B is flattened in modes 1, 2, 5, and 6.}}

\paper { indent = 0\mm }