Bibliografia[modifica]

Premio Nobel per la letteratura 1954

Elenco dei romanzi di Ernest Hemingway su Wikipedia

Opere[modifica]

Three Stories and Ten Poems (racconti e poesie), Contact Publishing Company, Paris, 1923
In Our Time, ("miniature"), Three Mountains Press, Paris, 1924
In Our Time (edizione ampliata), Boni & Liverihht, New York, 1925
The Torrents of Springs, Scribner's. New York, 1926
Today Is Friday (atto unico), Stable Pamphlets, New Jersey, 1926
The Sun also Rises Scribner's, New York, 1926; edizione inglese, Fiesta, J. Cape, London, 1927
Men whithout Women (racconti), Scribner's, New York, 1927
A Farewell to Arms, Scribner's, New York, 1929
Introduction to Kiki of Montparnasse, E. W. Titus, New York, 1929
Death in the Afternoon, Scribner's, New York, 1932
Kilimanjaro, Scribner's, New York, 1932
Winner Take Nothing (racconti), Scribner's, New York, 1933
God rest You Merry Gentlemen (racconto), The House of Books, New York, 1933
The Green Hills of Africa, Scribner's, New York, 1935
The Short and Happy Life of Francis Macomber, 1936
To Have and Have Not, Scribner's, New York, 1937
The Spanish Earth (sceneggiatura), Cleveland, 1938
The Fifth Column and the First Forty-nine Stories (commedia e racconti), Scribner's, New York, 1938
For Whom the Bell tolls, Scribner's, New York, 1940
Men at War (racconti), Crowell-Collier, New York, 1942
Voyage to Victory (opuscolo), Crowell-Collier, New York, 1944
The Viking Portable Hemingway (antologia), a cura di Malcom Cowley, Viking, New York, 1944
Across the River and Into the Trees, Scribner's, New York, 1950
The Good Lion e The Faithful Bull, "Holiday", marzo 1951
The Old Man and the Sea, Scribner's, New York, 1952
The Hemingway Reader (antologia), The Hart Press, Berkeley, 1953
Two Christmas Tales (racconti), The Hart Press, Berkeley, 1959
The Collected Poems (poesie), San Francisco, 1960
The Snows of Kilimanjaro and Other Stories (racconti), Scribner's, New York, 1961
The Wild Years (articoli 1920-1923. "The Toronto Star Weekly"), Dell. New York, 1962
A Moveable Feast (memorie), Scribner's, New York, 1964
By-Line: Ernest Hemingway (articoli 1920-1956), Scribner's, New York, 1967
Islands in the Stream, Scribner's, New York, 1970
Ernest Hemingway's Apprenticeship: Oak Park 1916-1917 (testi giovanili), NCR Microcard Editions, 1971
The Nick Adams Stories (racconti), Scribner's, New York, 1973
88 Poems (poesie), University of Nebraska Press, 1979
Selected Letters 1917-1961, Scribner's, New York, 1981
Ernest Hemingway on Writing (passi sulla scrittura), Scribner's, New York, 1984
The Dangerous Summer, Scribner's, New York, 1985
Dateline Toronto: The Complete Toronto Star Dispatches 1920-1924, Scribner's, New York, 1985
The Young Hemingway: Three Unpublished Short Stories (racconti inediti), "The New York Sunday Times Magazine", 18 agosto, 1985
Conversations whith Hemingway (interviste), a cura di Matthew Bruccoli, University Press of Mississippi, Jackson, 1986
The Complete Short Stories (tutti i racconti), Scribner's, New York, 1987
The Garden of Eden, Scribner's, New York, 1987
True at First Light, 1999
A Room on the Garden Side, The Strand Magazine, 2018

In italiano[modifica]

Il ritorno del soldato Krebs, trad. di C. Linati, Monaca e Messicani, trad. di E. Vittorini. Vita felice di Francis Macomber, per poco, trad. di Elio Vittorini, in America, a cura di Elio Vittorini, Bompiani, Milano 1942
L'invincibile (cinque racconti), pref. di S. Surace, Jandi-Sapi, Roma 1944
E il sole sorge ancora (noto anche con il titolo "Fiesta"), trad. di R. Dandolo, Jandi-Sapi, Roma 1944; Fiesta, Einaudi, Torino 1946, trad. di G. Trevisan
Addio alle armi , trad. di B. Fonzi, Jandi-Sapi, Roma 1945; Addio alle armi, trad. di G. Ferrara, P. Russo, D. Isella, Arnoldo Mondadori Editore, Milano 1946; Addio alle armi, trad. di Fernanda Pivano, Mondadori, Milano 1949
Per chi suona la campana, trad. di Maria Martone Napolitano, Mondadori, 1946
La quinta colonna, trad. di Giuseppe Trevisani, Einaudi, Torino 1946
Verdi colline d'Africa, trad. di G. Carancini, Jandi-Sapi, Roma 1946; trad. di A. Bertolucci e A. Rossi, Einaudi, Torino 1948
Uomini senza donne, trad. di A. Salomone, Elios, 1946
Chi ha e chi non ha, Jandi-Sapi, Roma 1945, trad. B. Fonzi; Avere e non avere, trad. di G. Monicelli, Einaudi, Torino 1946
Morte nel pomeriggio, trad. di Fernanda Pivano, Einaudi, Torino 1947
I quarantanove racconti, trad. di Giuseppe Trevisani, Einaudi, Torino 1947
Torrenti di primavera, trad. di B. Fonzi, Einaudi, Torino 1951
Il vecchio e il mare, trad. di Fernanda Pivano, Mondadori, Milano 1952
Di là dal fiume e tra gli alberi, trad. di Fernanda Pivano, Mondadori, Milano 1965
Lettere 1917-1961, intr. di Carlos Baker, trad. di F. Franconeri, Mondadori, Milano 1986
Festa mobile, in Franco Furoncoli, Parigi senza tempo, Idea-libri 1999; pref. di Fernanda Pivano. Il testo accompagna le immagini.
Ventuno racconti (parte I e II), trad. di E. Capriolo e B. Oddera, Mondadori, Milano 1986
Il giardino dell'Eden, trad. di M. D'Amico, Mondadori, Milano 1987
I quarantanove racconti, trad. di Vincenzo Mantovani, con un'intervista a cura di George Plimpton, Einaudi, Torino 1999
La corrente e Incroci-Un'antologia, a cura di Francesco Cappellini, Via del vento edizioni, aprile 2010
Hemingway-Kurowsky in amore e in guerra, Mursia, collana Carteggi e Diari
Nella collezione "I classici contemporanei stranieri" sono usciti in due volumi le Opere di Ernest Hemingway, Mondadori, Milano, 1962
Nei "Meridiani" Mondadori è uscito Romanzi e racconti al cui interno si possono trovare i romanzi Addio alle armi e Fiesta e la raccolta di racconti Nel Nostro Tempo, a cura di Fernanda Pivano, 1974
Nella serie "Gli Oscar Mondadori" sono disponibili numerosi romanzi con apparato critico e bibliografico
Fiesta (nella collezione Novecento Mondiale)

Postume[modifica]

A Moveable Feast, 1964; Festa mobile, tr. di V. Mantovani, Mondadori, 1964
By-line Ernest Hemingway, 1967; Dal nostro inviato Ernest Hemingway, tr. di E. Capriolo e G. Monicelli, Mondadori, 1967
Island in the Stream, 1970; Isole nella corrente, tr. di V. Mantovani, Mondadori, 1970
The Nick Adams Stories, 1972; I racconti di Nick Adams, tr. di G. Trevisani, Mondadori, 1973
Il leone buono, tr. di R. Mamoli Zorzi, illustrazioni di E. Agostinelli, Emme, 1978
Il toro fedele, tr. di R. Mamoli Zorzi, illustrazioni di M. Foreman, Emme, 1980
88 Poems, 1979; 88 Poesie, intr. e tr. di V. Mantovani, Mondadori, 1982
True at first light (Vero all'alba), Mondadori, Milano 1999

Fonti secondarie[modifica]

Abstracts of War Surgery. Division of Surgery, Surgeon-General’s office. St. Louis, MO: C.V. Mosby Company, 1918.
Adorno, Theodor. Negative Dialectics. Ed and trans. E.B. Ashton. London: Routledge, 1990.
Alighieri, Dante. Inferno. Ed and trans. Robert M. Durling. Oxford: Oxford University Press, 1996.
Army Command Policy. Department of the Army. Washington, DC. 18 marzo 2008.
Atkins, John Alfred. The Art of Ernest Hemingway; His Work and Personality. London: Spring Books, 1964.
Baker, Carlos, Ernest Hemingway: A Life Story, Collier Books, 1988.
Ball, Karyn. Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. New York: Other Press, 2007.
Barloon, Jim. "Very Short Stories: The Miniaturization of War in Hemingway's in our Time." The Hemingway Review 24.2 (2005): 5-17.
Bauer, Margaret Donovan. "Forget the Legend and Read the Work: Teaching Two Stories by Ernest Hemingway." College Literature 30.3 (2003): 124-37.
Belau, Linda. "Trauma and the Material Signifier." Postmodern Culture 11.2 (2001).
Berg, Allison. "The Great War and the War at Home: Gender Battles in Flags in the Dust and the Unvanquished." Women's Studies 22 (1993): 441-53.
Bergo, Bettina. “Conflicting Logics of Passions: The Strange Career of Hysteria and Anxiety in the Nineteenth Century.” Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. Ed. Karyn Ball. New York: Other Press, 2007.
Bittner, John R. "Vie Hors Serie, Fin Dramatique: The Paris Press Coverage of the Death of Ernest Hemingway." The Hemingway Review 24.2 (2005): 73-86.
Bloom, Harold, Ernest Hemingway's the Sun also Rises [Electronic Resource]. New York: Chelsea House, 1996.
Bloom, Harold. Ernest Hemingway. New York: Chelsea House, 1985.
Boutelle, Ann Edwards. "Hemingway and "Papa": Killing of the Father in the Nick Adams Fiction." Journal of Modern Literature 9.1 (1981): 133-46.
Bremmer, J. Douglas e Charles R. Marmar. Trauma, Memory, and Dissociation. Arlington, VA: American Psychiatric Publishing, 1998.
Brenner, Athalya e Fokelie Van Dijk-Hemmes. On Gendering Texts: Female and Male Voices in the Bible. New York: E.J. Brill Press, 1996.
Broe, Mary Lynn, e Bonnie Kime Scott. The Gender of Modernism : A Critical Anthology. Bloomington, Ind.: Indiana University Press, 1990.
Broer, Lawrence R., e Gloria Holland. Hemingway and Women: Female Critics and the Female Voice. Tuscaloosa: University of Alabama Press, 2002.
Burwell, Rose Marie. Hemingway: The Postwar Years and the Posthumous Novels. New York: Cambridge UP, 1996.
Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London; New York: Verso, 2004.
Campbell, Donna M. "Fiction: 1900 to the 1930s." American Literary Scholarship 2001 (2003): 305-42.
Chevelier, Jean, e Gheerbrant, Alain. A Dictionary of Symbols. Trad. John Buchanan-Brown. London: Penguin, 1996.
Cirino, Mark. ""A Bicycle is a Splendid Thing": Hemingway's Source for Bartolomeo Aymo in A Farewell to Arms." The Hemingway Review 26.1 (2006): 106-14.
Clark, Miriam Marty. "Hemingway's Early Illness Narratives and the Lyric Dimensions of «Now I Lay Me»." Narrative 12.2 (2004): 167-77.
Clark, Robert C. "Papa y El Tirador: Biographical Parallels in Hemingway's "I Guess Everything Reminds You of Something"." The Hemingway Review 27.1 (2007): 89-106.
Clausewitz, Carl Von. On War. Ed. Anatol Rapoport. London: Penguin Books, 1982.
Cohen, Milton A. "Who Commissioned the Little Review's "in our Time?"." The Hemingway Review 23.1 (2004): 106-10.
Comley, Nancy R., e Robert Scholes. Hemingway's genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994.
Cooke, John Esten, Moses Drury Hoge, John William Jones, Stonewall Jackson: A Military Biography, D. Appleton and Company, 1876.
Cote, William E. “Correspondent or warrior? Hemingway’s Murky World War II Combat experience.” Hemingway Review. Vol. 22 2002.
Culler, Jonathan D. "Omniscience." Narrative 12.1 (2003): 22-34.
Dear, I.C.B. The Oxford Guide to World War II. Oxford: Oxford University Press, 1995.
De Beauvoir, Simone. The Second Sex. Trad. H.M. Parshley. New York: Vintage Books, 1989.
De Baerdemaeker, Ruben. "Performative Patterns in Hemingway's "Soldier's Home"." The Hemingway Review 27.1 (2007): 55-73.
DeFazio, Albert J., and Patrick Gregg. "Current Bibliography: Annotated." The Hemingway Review 23.2 (2004): 115-21.
DeFazio, Albert J. "Fitzgerald and Hemingway." American Literary Scholarship 1999 (1999): 201-19.
———. "Fitzgerald and Hemingway." American Literary Scholarship 2000 (2000): 191-208.
———. "Fitzgerald and Hemingway." American Literary Scholarship 98 (1998): 179-94.
Dekoven, Marianne. "Modernism and Gender." The Cambridge Companion to Modernism. Ed. Michael H. Levenson. Cambridge: Cambridge University Press, 1999. 174.
DeKoven, Marianne. Rich and Strange: Gender, History, Modernism. Princeton, N.J.: Princeton University Press, 1991.
Desnoyers, Megan Floyd. “Ernest Hemingway: A Story Teller’s Legacy.” Prologue Quarterly of the National Archives. Vol. 24, No. 4, winter 1992.
Dodman, Trevor. “Going All to Pieces: A Farewell to Arms as Trauma Narrative.” Twentieth-Century Literature. 52.3, Fall 2006.
Doherty, Brigid. ""See: "we are all Neurasthenics"!" Or, the Trauma of Dada Montage." Critical Inquiry 24.1 (1997): 82-132.
Donaldson, Scott. The Cambridge Companion to Hemingway. Cambridge; New York: Cambridge University Press, 1996.
Dunningan, James, F. How to Make War: A Comprehensive Guide to Modern Warfare in the 21st Century. New York: Quill, 1993.
———. "Strange Tribe: A Family Memoir (Review)." The Hemingway Review 27.1 (2007): 136-40.
Eby, Carl. “He Felt the Change so that it Hurt Him All Through: Sodomy and Transvestic Hallucination in Late Hemingway” Hemingway Review Vol. 25. No. 1 (Fall 2005). P.77-95.
Eckert, Penelope, e Sally McConnell-Ginet. Language and Gender. Cambridge: Cambridge University Press, 2003.
Elliot, Ira. "Performance Art: Jake Barnes and "Masculine" Signification in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 63-80.
Evans, Martin Max. American Voices of World War I. London: Fitzroy Dearborn Publishers, 2001.
Evans, Oliver. "The Protagonist of Hemingway's "the Killers"." Modern Language Notes 73.8 (1958): 589-91.
Fantina, Richard. "Hemingway's Masochism, Sodomy, and the Dominant Woman." The Hemingway Review 23.1 (2004): 84-105.
Felski, Rita. The Gender of Modernity. Cambridge, Mass.: Harvard University Press, 1995.
Fisher, Jim. "Of Star Style and a Reporter Named Hemingway." The Kansas City Star. 27 settembre 2007.
Fisher, Paul. "Back to His First Field." Kansas City Times. 26 1940 Project Muse 15 maggio 2008.
Flora, Joseph M. Hemingway's Nick Adams. Baton Rouge: Louisiana State University Press, 1982.
Fritz, Stephen G. Frontsoldaten: The German Soldier in World War II. Lexington, KY: University Press of Kentucky, 1997.
Frye, Northrup. . “Review of Across the River” ed. Jeffery Meyers, Hemingway the Critical Heritage. London: Routledge, 1982.
Fulton, Lorie Watkins. "Reading Around Jake’s Narration: Brett Ashley and the Sun also Rises." The Hemingway Review. 24.1 (2004): 61. Project Muse. 18 maggio 2008.
Gallagher, Jean, The World Wars through the Female Gaze. Carbondale, Ill: Southern Illinois University Press, 1998.
Garrigues, Lisa. "Reading the Writer's Craft: The Hemingway Short Stories." The English Journal 94.1, Re-Forming Writing Instruction (2004): 59-65.
Gibson, W. Walker. Tough, Sweet & Stuffy; an Essay on Modern American Prose Styles. Bloomington: Indiana University Press, 1966.
Godden, Richard. Fictions of Capital: The American Novel from James to Mailer. Cambridge; New York: Cambridge University Press, 1990.
Godfrey, Laura Gruber. "Hemingway and Cultural Geography: The Landscape of Logging in "the End of Something"." The Hemingway Review. 26.1 (2006): 47-62.
Gordon, Harry Arthur,Jr. "Fathers and Sons." The English Journal. 73.2 (1984): 32-5.
Grayzel, Susan R. Women and the First World War. London; New York: Longman, 2002.
Grimes, Larry E. The Religious Design of Hemingway's Early Fiction. Ann Arbor, Mich.: UMI Research Press, 1985.
Grossman, Grossman e Siddle, Bruce K., Psychological Effects of Combat in Encyclopedia of Violence, Peace and Conflict, Academic Press, 1999
Hammer, Stephanie Barbe. Schiller’s Wound: The Theater of Trauma from Crisis to Commodity. Wayne, IN: Wayne State University Press, 2001.
Hannah, James. The Great War Reader. College Station, TX: Texas A & M University Press, 2000.
Harrison, Elizabeth Jane, e Shirley Peterson. Unmanning Modernism: Gendered Re-Readings. 1st ed. Knoxville: University of Tennessee Press, 1997.
Haulsee, William Mitchell, Frank George Howe, e Alfred Cyril Doyle. Soldiers of the Great War. Washington, DC: Soldiers Record Publishing Association, 1920. Retrieved by Harvard University digital copy.
Hediger, Ryan. “Hunting, Fishing, and the Cramp of Ethics in Ernest Hemingway’s The Old Man and the Sea, Green Hills of Africa, and Under Kilimanjaro.” The Hemingway Review. Vol. 27. No.2. Spring 2008. Pp.35-59.
Henry, Mark, R. The US Army in World War II. Oxford: Osprey Publishing, 2000.
Hesford, Wendy S. "Documenting Violations: Rhetorical Witnessing and the Spectacle of Distant Suffering." Biography 27.1 (2004): 104-44.
Hewson, Marc. "The Real Story of Ernest Hemingway": Cixous, Gender, and A Farewell to Arms." The Hemingway Review 22.2 (Spring 2003): 51--62.
Hoffman, Emily C. "Tradition and the Individual Bullfighter: The Lost Legacy of the Matador in Hemingway's "the Capital of the World"." The Hemingway Review 24.1 (2004): 90-105.
Hotchner, A. E. Papa Hemingway; a Personal Memoir. New York: Random House, 1966.
Imamura, Tateo. “’Soldier’s Home: Another Story of a Broken Heart.” Hemingway Review. Vol. 16. No. 1. Autunno 1996.
Irigaray, Luce. This Sex which is Not One. Ithaca, N.Y.: Cornell University Press, 1985.
Jain, S.P. Hemingway: A Study of His Short Stories. New Delhi, India: Arnold-Heinemann Publishers, 1985.
Jackson, Robert. Seeking the Region in American Literature and Culture: Modernity, Dissidence, Innovation. Baton Rouge: Louisiana State University Press, 2005.
Justice, Hilary K., 1966-, e Robert W. Trogdon. "Fitzgerald and Hemingway." American Literary Scholarship 2004 (2006): 201-20.
Kaplan, Charles. Criticism : The Major Statements. 2nd ed. New York: St. Martin's Press, 1986.
Knights, Ben. Writing Masculinities : Male Narratives in Twentieth-Century Fiction. New York: St. Martin's Press, 1999.
Knight, Chris. Blood Relations: Menstruation and the Origins of Culture. New Haven, London: Vale University Press, 1991.
Kleinman, Arthur, Veena Das, e Margaret M. Lock. Social Suffering Essays. San Diego: University of California Press, 1997.
Kobler, J. F. Ernest Hemingway: Journalist and Artist. Ann Arbor, MI: UMI Research Press, 1985.
Kolln, Martha. Rhetorical Grammar: Grammatical Choices, Rhetorical Effects. New York: Longman, 2003.
LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins University Press, 2001.
Larson, Kelli A. "Current Bibliography." The Hemingway Review 26.2 (2007): 135-44.
Lewis, R. W. B. The American Adam; Innocence, Tragedy, and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.
Liddle, Peter, H. The Soldier’s War: 1914-18. London: Blandford Press, 1988.
Lisa Tyler. ""How Beautiful the Virgin Forests were before the Loggers Came": An Ecofeminist Reading of Hemingway's "the End of Something"." The Hemingway Review 27.2 (2008): 60-73.
Lynn, Kenneth Schuyler. Hemingway. New York: Simon and Schuster, 1987.
Machiavelli, Niccolo. Il Principe.
Mandel, Miriam B. “Across the River and into the Trees: Reading the Brusadelli Stories” Journal of Modern Literature. XIX, 2 (Autunno 1995) pp. 334-345.
Mansfield, Nick. Subjectivity: Theories of the Self from Freud to Haraway. New York: NYU Press, 2000.
Mariani, John. “Across the River and into the Ritz” Esquire Vol. 131 Issue 1 (luglio 1999) p. 42.
Marix Evans, Martin. American Voices of World War I : Primary Source Documents, 1917-1920. London: Fitzroy Dearborn, 2001.
Martin, Wendy. "Brett Ashley as New Woman in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 47-62.
Marx, Karl. “The Power of Money in Bourgeois Society.” Economic and Philosophic Manuscripts of 1844 Karl Marx. Trad. Martin Milligan. Amherst, NY: Prometheus Books, 1988.
Mason, Charles Field. A Complete Handbook for the Sanitary Troops of the U.S. Army and Navy and the National Guard and Naval Militia. New York: William Wood and Company, 1917.
McCaffery, John K. M. Ernest Hemingway: The Man and His Work. Ed. John K. M. McCaffery. Cleveland: World Pub. Co, 1950.
McGee, Daniel T. "Dada Da Da: Sounding the Jew in Modernism." ELH 68.2 (2001): 501-27.
Mellow, James R. Hemingway : A Life without Consequences. Boston: Houghton Mifflin Co, 1992.
Meyers, Jeffery. “Chink Dorman-Smith and Across the River and into the Trees” Journal of Modern Literature. Vol. 11 Issue 2.(July 1984) p 314.
Merleau-Ponty, Maurice, Ted Toadvine, e Leonard Lawlor. The Merleau-Ponty Reader. Evanston, Ill.: Northwestern University Press, 2007.
Michaels, Walter Benn. "American Modernism and the Poetics of Identity." Modernism/modernity 1.1 (1994): 38-56.
Miller, Edward. A Dark and Bloody Ground: The Hurtgen Forest and the Roer River Dams, 1941-45. College Station, TX: Texas A & M University, 2003.
Miller, Nancy K., and Jason Daniel Tougaw. Extremities : Trauma, Testimony, and Community. Urbana: University of Illinois Press, 2002.
Miller, Paul W. “Hemingway vs. Stendhal. Or Papa’s Last Fight with a Dead Writer” The Hemingway Review Vol 19 No. 1. (Fall 1999).
Moddelmog, Debra A. "Contradictory Bodies in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 155-166.
Moddelmog, Debra A. Reading Desire: In pursuit of Ernest Hemingway. Ithaca, NY: Cornell University Press, 1999.
Modell, Arnold. Times, Other Realities. Toward a Theory of Psychoanalytic Treatment. Cambridge: Harvard UP, 1990.
Monteiro, George. “Hemingway’s Colonel” Hemingway Review Vol. 5 Issue 1 (Autunno 1985).
Monteiro, George. “Last Heroes in Fitzgerald and Hemingway: Tender is the Night, The Last Tycoon, and Across the River and into the Trees” Hemingway Review, Spring 1997.
Morrison, Toni. Playing in the Dark: Whiteness and Literary Imagination. New York: Vintage Books, 1993.
Nagel, James. Critical Essays on Ernest Hemingway's the Sun Also Rises. New York; London: G.K. Hall; Prentice Hall International, 1995.
Narbeshuber, Lisa. "Hemingway's in our Time: Cubism, Conservation, and the Suspension of Identification." The Hemingway Review 25.2 (2006): 9-28.
Norris, Christopher. Language, Logic and Epistemology : A Modal-Realist Approach. Basingstoke, Hampshire; New York: Palgrave Macmillan, 2004.
Nuti, Elisabetta Zingoni. “The ‘Honorable Pacciardi’ Remembered” Hemingway Review Vol. 11 Issue 1 (Fall 1991) p. 56.
O’Brien, Kenneth Paul e Lynn H. Parsons. The Home-front War: World War II and American Society. Westport, CT: Greenwood Press, 1995.
O'Sullivan, Sibbie. "Love and Friendship/Man and Woman in the Sun also Rises." Ernest Hemingway: Seven Decades of Criticism. Ed. Linda Wagner-Martin. East Lansing: Michigan State University, 1998.
Ott, Mark P. "Nick Adams at a Windy Crossroads: Echoes of Past and Future Fictions in Ernest Hemingway's "Che Ti Dice La Patria?"." The Hemingway Review 24.2 (2005): 18-27.
Ouditt, Sharon. Fighting Forces, Writing Women : Identity and Ideology in the First World War. London; New York: Routledge, 1994.
Paul, Steve. ""'Drive,' He Said": How Ted Brumback Helped Steer Ernest Hemingway into War and Writing." The Hemingway Review 27.1 (2007):21-38.
———. "Preparing for War and Writing: What the Young Hemingway Read in the Kansas City Star, 1917-1918." The Hemingway Review23.2 (2004): 5-20.
Phillips, Larry, ed. Ernest Hemingway on Writing. New York, NY: Charles Scribner's Sons, 1984.
Phillips, Kathy J. Manipulating Masculinity: War and Gender in Modern British and American Literature. I ediz. New York: Palgrave Macmillan, 2006.
Pivano, Fernanda, Hemingway, Milano, Rusconi, 1985.
Pozorski, Aimee L. “Trauma’s Time: an Interview with Cathy Caruth.” Connecticut Review. 28.1, 2006.
Prigozy, Ruth. "Modernity and Progress: Fitzgerald, Hemingway, Orwell (Review)." The Hemingway Review 25.2 (2006): 150-3.
Puntnam, Ann. “Waiting for the End in Hemingway’s Pursuit Race.” Hemingway's Neglected Short Fiction : New Perspectives. Ed. Susan Beegel. Ann Arbor, Mich.: UMI Research Press, 1989.
Raabe, David M. "Hemingway's Anatomical Metonymies." Journal of Modern Literature 23.1 (1999): 159-63.
Radstone, Susannah. “Social Bonds and Psychical Order: Testimonies.” Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. Ed. Karyn Ball. New York: Other Press, 2007.
Reesman, Jeanne Campbell. "Fiction: 1900 to the 1930s." American Literary Scholarship 98 (1998): 257-85.
Risch, Robert. "Evan Shipman: Friend and Foil." The Hemingway Review 23.1 (2004): 42-57.
Robin Silbergleid. "Into Africa: Narrative and Authority in Hemingway's the Garden of Eden." The Hemingway Review 27.2 (2008): 96-117.
Rosenfield, Isacc. . “Review of Across the River” ed. Jeffery Meyers, Hemingway the Critical Heritage. London: Routledge, 1982.
Saint-Amour, Paul K. "Bombing and the Symptom: Traumatic Earliness and the Nuclear Uncanny." Diacritics 30.4 (2000): 59-82.
Sanderson, Rena. "Hemingway and Gender History." The Cambridge Companion to Hemingway. Ed. Scott Donaldson. Cambridge; New York: Cambridge University Press, 1996.
Savage, D.S. “Ernest Hemingway.” The Hudson Review. Vol. 1. No. 3, Autumn, 1948.
Scaer, Robert C. The Body Bears the Burden: Trauma, Dissociation and Disease. New York: The Haworth Medical Press, 2001.
Schivelbusch, Wolfgang. The Culture of Defeat : On National Trauma, Mourning, and Recovery. 1st American ed. New York: Metropolitan Books, 2003.
Scott, Bonnie Kime, e Mary Lynn Broe. The Gender of Modernism: A Critical Anthology. Bloomington: Indiana University Press, 1990.
Smith, Julian. "Hemingway and the Thing Left Out." Journal of Modern Literature 1.2 (1970): 169-82.
Stoltzfus, Ben. “Time and Remembrance: Calculus and Proust in Across the River and into the Trees” Hemingway Review Vol. 22 No. 2 (Spring 2003).
Strychacz, Thomas. Hemingway's Theaters of Masculinity. Baton Rouge: Louisiana State University Press, 2003.
Strychacz, Thomas. "Dramatizations of Manhood in Hemingway's in our Time and the Sun also Rises." American Literature 61.2 (1989): 245-60.
Sylvester, Bickford. “Cantwell’s ‘Suicide’ and ‘Mental Illness.’” Hemingway Review. Vol. 8. Issue 2 Primavera 1989 p 49-50.
Tetlow, Wendolyn. Hemingway’s In Our Time: Lyrical Dimensions. Ann Arbor, MI: University of Michigan Press, 1992.
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