Amore, Arte e Verità: la filosofia di W. Somerset Maugham/Bibliografia

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BIBLIOGRAFIA[modifica]

Per approfondire su Wikipedia, vedi le voci William Somerset Maugham e Opere di W. Somerset Maugham.
  • Alberich, Jose, Los ingleses y otros temas de Pio Baroja (Madrid-Barcelona: Alfaguara, 1966).
  • Aldington, Richard, 'Somerset Maugham: An Appretiation', Saturday Review of Literature, 19 August 1939, pp.3-4,12.
  • Allen, Walter, The English Novel (Middlesex: Penguin, 1982).
  • Balmforth, Ramsden, The Problem Play and its influence on Modern Thought and Life (London: Allen and Unwin, 1928).
  • Balseiro, Jose A., Blasco Ibanez, Unamuno, VaUe-Inclan, Baroja, cuatro individualistas de Espana (New York: Eliseo Torres and Sons, 1949).
  • Balzac, Honore de, The Quest of the Absolute, trans, by Ellen Marriage (Sawtry: Dedalus, 1989).
  • Baroja, Pio, El arbol de la ciencia (Madrid: Catedra, 1985).
  • Bason, Fred T., 'Mr. Somerset Maugham', Saturday Book. Fifth Year, October 1945, pp.279-284.
  • Behrman, S.N., 'Jane', in The Best Plays of 1951-52, ed. by John Chapman (New York: Dodd, Mead, 1952).
  • Bell, Michael, The Context of English Literature 1900-1930 (London: Methuen, 1980).
  • — 'Why Maugham Was Miserable', Books and Bookmen, February 1965, p.22.
  • — 'Somerset Maugham's Imaginary Portrait of a Modern Genius', Current Opinion, September 1919, pp. 187-88.
  • Bennet, Arnolds Clayhanger (Middlesex: Penguin, 1985).
  • Birch, C., 'Purpose in the Universe: A Search for Wholeness', Zygon: Journal of Religion and Science, (1971) 4-15.
  • Booth, Wayne C., Critical Understanding, The Powers and Limits of Pluralism (Chicago and London: University of Chicago Press, 1979).
  • The Rhetoric of Fiction, 2nd edn (Chicago and London: Uriiversity of Chicago Press, 1983).
  • Bradbury, Malcolm and James McFarlane, Modernism: A Guide to European Literature, 1890-1930 (Middlesex: Penguin, 1976).
  • Brander, L., Somerset Maugham: A Guide (Edinburgh and London: Oliver and Boyd, 1963).
  • Bretz, Mary Lee, La Evolucion novelistica de Pio Baroja (Madrid: Studia Humanitatis, 1979).
  • Brophy, John, Somerset Maugham, Writers and Their Work, n.22 (London: Longman for the British Council, 1969).
  • Brunauer, Dalma, 'The Road not Taken: Fragmentation as a Device for Self-Concealment in The Razor's Edge' Evolutionary Psychology, vol. 8 (1-2), March, pp.24-33.
  • Buckley, Jerome Hamilton, Season of Youth: The Bildungsroman from Dickens to Golding (Cambridge, Massachusetts: Harvard University Press, 1974).
  • Burt, Forrest D., W. Somerset Maugham (Boston: Twayne Publishers, 1985).
  • Butler, Samuel, The Way of All Flesh (London: Jonathan Cape, 1924).
  • Buttigieg, Joseph A., A Portrait of the Artist, in different Perspective (Ohio: Ohio University Press, 1987).
  • Calder, Robert L., 'Maugham Revealed', Etudes Anglaises, vol.31 (1978), 331-39.
  • W. Somerset Maugham and the Quest for Freedom (London: Heinemann, 1972).
  • Willie: The Life of W. Somerset Maugham (London: Heinemann, 1982).
  • — 'W. Somerset Maugham's Strictly Personal- A Missing Chapter', Bibliographical Society of American Papers, (July 1978), 299-303.
  • Cather, Willa, The Song of the Lark (London: Hamish Hamilton, 1963).
  • Chatman, Seymour, Story and Discourse, Narrative Structure in Fiction and Film (London: Cornell University Press, 1978).
  • Clinton, Farley, 'Maugham's Bondage', National Review, 22 February 1966, pp.174-176.
  • Cohn, Dorrit, Transparent Minds. Narrative Modes for Presenting Consciousness in Fiction (Princeton, New Jersey: Princeton University Press, 1978).
  • Connolly, Cyril, The Condemned Playground (London: Routledge, 1945).
  • Copleston, F., Arthur Schopenhauer: Philosopher of Pessimism (New York: Barnes and Noble Imports, 1975).
  • Cordell, Richard A., W. Somerset Maugham (Nei^r York: Nelson, 1937).
  • Somerset Maugham: A Bibiographical and Critical Study (London: Heinemann, 1961).
  • Costa, Richard Hauer, 'A Pleasure Mr. Maugham', Nimrod vol.21 (1), (1976-77), pp.108-22.
  • — 'Maugham's "Partial Self": The "Unexpected View" on the Way to "The Death of Ivan Ilych"', An Official Journal of the College English Association , 43(4) (1981), 3-7.
  • Coward, Noel, A Song at Twilight (London: Samuel French, 1988).
  • Crews, Frederick, Out of My System. Psychoanalysis, ideology, and Critical Method (New York: Oxford University Press, 1975).
  • Crowther, Bosley, 'Quartet', New York Times, 29 March 1949, p.30.
  • Cueto Perez, Magdalena, Aspectos sistematicos en la narrativa de Pio Baroja: El arbol de la ciencia (Oviedo: Universidad de Oviedo. Servicio de Publicaciones, 1985).
  • Curtis, Ao, 'Maugham and His Critics', Cahiers Victoriens and Edouardiens, n. 22 (1985), pp.3-16.
  • The Pattern of Maugham A Critical Portrait (London: Hamish Hamilton, 1974).
  • Somerset Maugham (London: Weindenfeld and Nicolson, [n.d.]).
  • Somerset Maugham. Writers and Their Work (Windsor: Profile Books, 1982).
  • — and John Whitehead, W. Somerset Maugham. The Critical Heritage (London and New York: Routledge and Kegan Paul, 1987).
  • Dahlke, Paul, Buddhism and its Place in the Mental Life of Mankind (London: MacMillan, 1927),
  • Davies, Horton, A Mirror of the Ministry in Modern Novels (New York: Oxford University Press, 1959).
  • Moral Ruiz, Carmen del, La sociedad madrileha fin de siglo y Baroja (Madrid: Ediciones Turner, S.A., 1974).
  • De Rougemont, Denis, Love in the Western World, trans. by Montgomery Belgion (London: Harper and Row Publishers, 1956).
  • Dempsey, David, 'Visitor', New York Times Book Review (1950), p.8.
  • Denoon Gumming, Robert, The Philosophy of Jean-Paul Sartre (New York: Vintage Books, 1965).
  • Dewey, John, Human Nature and Conduct (London: Allen and Unwin, 1922).
  • Dobrinski, Joseph, 'The Dialects of Art and Life in Of Human Bondage', Cahiers Victoriens et Edouardiens, no.22 (1985), pp.33-55.
  • Eagleton, Terry, The Ideology of the Aesthetics ([n.p.]: Basil Blackwell, 1990).
  • Elizalde, Ignacio, Personajes y temas barojianos (Universidad de Deusto, 1975).
  • Ellis, Havelock, Little Essays of Love and Virtue (London: A. and C. Black, 1922).
  • Ellis, Robert R., The Tragic Pursuit of Being, Unamuno and Sartre (London: The University of Alabama Press, 1988).
  • Emerson, Ralph Waldo, Essays (Boston and New York: Houghton Mifflin Company, 1876).
  • Epstein, Joseph, 'Is It All Right to Read Somerset Maugham?', Criterion (November 1985), pp. 1-13.
  • Ervine, St. John, 'The Plays of Somerset Maugham', Life and Letters, n.63, (March 1935), pp.640-655.
  • Faulkner, Peter, A Modernist Reader. Modernism in England 1910-1930 (London: B.T. Batsford, 1986).
  • Fleissner, R.F., 'Of Dickensian Bondage: A Probe', Research Studies 48(1), (March 1980), pp.50-56.
  • Forster, E.M., Aspects of the Novel (Middlesex: Penguin, 1972).
  • The Longest Journey (Middlesex: Penguin, 1989).
  • Freud, Sigmund, New Introductory Lectures on Psycho-analysis (London, The Hogarth Press and the Institute of Psycho-analysis, 1964).
  • Fromm, Erich, Man for Himself. An Enquiry into the Psychology of Ethics (London: Routledge and Kegan Paul, 1967).
  • The Fear of Freedom (London: Kegan Paul, 1942).
  • Gassner, John, Masters of the Drama (New York: Dover Publications, 1940).
  • Gill, R., 'Was Uncle Willie a Source for Robin Maugham's The Servant?', Journal of Modern Literature, vol.8, 1, (1980), pp.155-60.
  • Gissing, George, The Private Papers of Henry Ryecroft (Westminster: Archibald Constable, 1903).
  • Golding, William, Free Fall ([n.d,]: Faber and Faber, 1988),
  • Gordon, Cardine, 'Notes on Chekhov and Maugham', Sewanee Review, voll. VII (3:Summer) (1949), pp,401-410.
  • Great Books of the Western World, ed. by Robert Maynard Kutchins, 30th edn, 54 vols (Chicago, London, Toronto, Geneva, Sydney, Tokyo, Manila: Enciclopaedia Britannica, 1988).
  • Gruber, CP,, 'Somerset Maugham's Perfect Gentleman 1912-13', Theatre Notebook, vol.26 (1971-72), pp.151-158.
  • Haire, David B. and Dennis E. Hensley, 'A Comparative Look at W.S. Maugham and Jack London', Jack London Newsletter, vol.8 , pp. 114-118.
  • Hardy, Thomas, The Well-Beloved (Oxford: Oxford University Press, 1990).
  • Jude the Obscure (London: Penguin, 1985),
  • Hibler, Richard, Happiness Through Tranquility. The School of Epicurus (Lanham: University Press of America, 1984).
  • Hoagland, H., 'Reflections on the Purpose of Life', Zygon: Journal of Religion and Science (1971), 28-38.
  • Horn, Pierre, and Mary Beth Pringle, The Image of the Prostitute in Modern Literature (New York: Frederick Ungar Publishing, 1989).
  • Howells, Christina, Sartre: The Necessity of Freedom (Cambridge: Cambridge University Press, 1988).
  • Hughes, H. Stuart, Consciousness and Society. The Reorientation of European Social Thought 1890-1930 (New York: Vintage Books, 1977).
  • Ibsen, Henrik, Four Major Plays, trans. by James McFarlane and Jens Arup, (Oxford: Oxford University Press, 1981).
  • A Doll's House, The Wild Duck, The Lady from the Sea, trans. by R. Farquharson Sharp and Eleanor Mars-Aveling (London: Dent and Sons, 1954).
  • Iglesias, Carmen, El pensamiento de Pio Baroja. Ideas Centrales (Mexico: Antigua Librerla Robredo, 1963).
  • Jensen, Sven Arnold, William Somerset Maugham: Some Aspects of the Man and his Work (Oslo: Oslo University Press, 1957).
  • Jonas, Klaus W., 'Another Bibliography of Mr. Maugham', The Times Literary Supplement, 22 September 1950, p. 604.
  • — 'More Maughamiana', Bibliographical Society of America (1950), pp.378-383.
  • The Maugham Enigma (London: Peter Owen, 1954).
  • Joyce, James, A Portrait of the Artist as a Young Man (London: Jonathan Cape, 1985).
  • Kanin, Garson, emembering Mr. Maugham (London: Hamish Hamilton, 1966).
  • Keates, J., Makers of Modern Culture (New York: Facts on File, 1981).
  • Klein, Melanie and Joan Riviere, Love, Hate and Reparation, Psychoanalytic Epitomes (London: Leonard and Virginia Woolf and the Institute of Psycho-analysis, 1937).
  • Kunitz, Stanley J. and Howard Haycraft, Twentieth Century Authors (New York: H.W. Wilson Company, 1942).
  • Lawrence, D.H., Sons and Lovers (Middlesex: Penguin and Heinemann, 1983).
  • Leech, Geoffrey N. and Michael H. Short, Style in Fiction, A Linguistic Introduction to English Fictional Prose (London: Longman, 1981).
  • Lerner, Laurence, Love and Marriage. Literature and Its Social Context (London: Edward Arnold, 1979).
  • Leverson, Leda, The Limit (London: Grant Richards, 1911).
  • Lewis, Wyndham, Tarr (New York: Jubilee Books, 1973).
  • Lodge, David, Working with Structuralism. Essays and Reviews on 19th and 20th-C. Literature (London: Routledge and Kegan Paul, 1981).
  • London, Jack, The Game (London: MacMillan, 1905).
  • Martin Eden (New York: Penguin, 1985).
  • Longhurst, C.A., Pio Baroja: El mundo es ansi, Critical Guides to Spanish Texts ([n.p.]: Grant and Cutler in association with Tamesis Books, 1977).
  • Loss, Archie K., W. Somerset Maugham (New York: Ungan, 1987).
  • Loughman, Celeste, 'The Experience of Old Age in Contemporary Autobiography', Hartford Studies in Literature, vol.12, pp. 18-28.
  • Lubbock, Percy, The Craft of Fiction (London: Bradford and Dickens, 1954).
  • Lukacs, Georg, The Meaning of Contemporary Realism, trans. by John and Necke Mander (London: Merlin Press, 1972).
  • Mansfield, Katherine, Novels and Novelists (London: Constable and Co., 1930).
  • Martinez Palacio, Javier, Pio Baroja: El escritor y la critica (Madrid: Taurus, 1974).
  • Maugham, Robin, The Servant (London: Allison and Busby, 1989).
  • Conversations with Willie: Recollections of W. Somerset Maugham (London: W.H. Allen, 1978).
  • Escape from the Shadows (London: Robin Clark, 1981).
  • Somerset and all the Maughams (London: Longman-Keinemann, 196S).
  • Maugham, W. Somerset, A Traveller in Romance. Uncollected Writings 1901-1964, ed. by John Whitehead (London: Anthony Blond, 1984).
  • Christmas Holiday (London: Heinemann, 1989).
  • Don Fernando, or Variations on soaie Spanish Themes (London: Heinemann, 1935).
  • Of Human Bondage (Harmondsworth: Penguin, 1984).
  • Points of View (London: Heinemann, 1958).
  • The Writer's Points of View, National Book League Ninth Annual Lecture (London: Cambridge University Press, 1951).
  • Strictly Personal (London: Heinemann, 1945).
  • The Collected Plays, 3 vols. (London: Heinemann, 1952)
  • — 'Zurbaran', Cornhill Magazine, 1950, pp. 396-420.
  • The Vagrant Mood (London: Heinemann, 1952).
  • Altogether (London: [n.pub.], 1934).
  • The Mixture as Before (London: [n.pub.], 1940).
  • Creatures of Circumstance (London: [n.p'Jib.], 1947.
  • Then and Now (London: Heinemann, 1946).
  • The Merry-Go-Round (London: Heinemann, 1916).
  • The Razor's Edge (Middlesex: Penguin, 1984).
  • — 'My South Sea Island', Daily Mail, 31 January 1922, p.6.
  • Great Modern Reading. Maugham's Introduction to Modern English and American Literature (Nev/ York: Nelson Doubleday, 1943).
  • The Summing Up (Middlesex: Penguin, 1986).
  • The Narrow Corner (London: Pan Books and Heinemann, 1976).
  • Theatre (London: Pan Books and Heinemann, 1978).
  • The Magician (Middlesex: Penguin, 1983).
  • The Moon and Sixpence (Middlesex: Penguin, 1983).
  • Liza of Lambeth (Middlesex: Penguin, 1986).
  • Up at the Villa (Middlesex: Penguin, 1983).
  • Catalina (London: Pan Books and Heinemann, 1978).
  • A Writer's Notebook (Middlesex: Penguin, 1984).
  • The Gentleman in the Parlour. A Record of a Journey from Rangoon to Haiphong (London: Pan Books and Heinemann, 1986).
  • Ten Novels and their Authors (London: Pan Books and Hsineiaann, 1978).
  • Mrs. Craddock (Middlesex: Penguin, 1979).
  • Cakes and Ale (Middlesex: Penguin, 1985).
  • The Painted Veil (Middlesex: Penguin, 1979).
  • The Casuarina Tree (Oxford: Oxford University Press, 1985).
  • On a Chinese Screen (Oxford: Oxford University Press, 1986).
  • Books and You (London: Heinemann, 1940).
  • Cosmopolitans (Leipzig: Bernhard Tauchnitz, 1937).
  • Collected Short-Stories, vol.1 (Middlesex: Penguin, 1984).
  • Collected Short-Stories, vol.2 (London: Pan Books and Heinemann, 1975) .
  • Collected Short-Stories, vol.3 (London: Pan Books and Heinemann, 1976) .
  • Collected Short-Stories, vol.4 (London: Pan Books and Heinesiann, 1976).
  • Landed Gentry (London: Heinemann, 1913).
  • The Making of a Saint, 2nd edn (London: Fisher Unwin, 1898).
  • — 'Ten Best Novels', Atlantic Monthly, (1947-8), pp. 121-126/134-140.
  • — 'Twenty Days in a Ship' in The English Spirit (London: Allen and Unwin, 1942).
  • The Explorer (London: Heinemann, 1912).
  • The Trembling of a Leaf. Little Stories of the South Sea Islands (Leipzig: Bernhard Tauchnitz, [n.d.]).
  • The Tenth Man (London: Heinemann, 1913).
  • France at War (London: Heinemann, 1940).
  • The Land of the Blessed Virgin. Sketches and Impressions in Andalusia (London: Heinemann, 1905).
  • Ashenden or the British Agent (London: Mandarin, 1991).
  • The Letter with two other plays {The Breadwinner and Sheppey) (London: Pan Books, 1952).
  • — 'You and some more Writers', Saturday Evening Post, 11 March 1939, pp. 25, 77, 78, 80, 81.
  • — 'Why Do You Dislike Us?', Saturday Evening Post, 11 April 1942, pp. 31, 56, 58, 60.
  • — 'The Short-Story', Nash's Magazine, 1934, pp. 10-11, 93.
  • — 'Somerset Maugham's Greatest Hour: The Play that Changed My Life', John Bull, 28 October 1933, p.34.
  • — 'A Point of Law', Strand Magazine, vol. xxvi, n. l54, October 1903.
  • — 'Teller of Tales', Saturday Review of Literature, 17 June 1939, pp.3-4, 15-16.
  • Orientations (London: Fisher Unwin, 1899).
  • The Hero (London: Hutchinson, 1901).
  • Loaves and Fishes (London: Heinemann, 1924).
  • — 'Looking Back', Sunday Express, September/October 1952.
  • A Man of Honour (London: Heinemann, 1912).
  • The Hour Before the Dawn (New York: Sun Dial Press, 1943).
  • The Bishop's Apron. A Study in the Origins of a Great Family, 4th edn. (London: Chapman and Hall, 1906).
  • Traveller's Library (New York: Doubleday and Doran, 1933).
  • Maupassant, Guy de, A Woman's Life (London: Penguin, 1988).
  • Bel Ami (London: Penguin, 1988).
  • May, Keith M., Out of the Maelstrom, Psychology and the Novel in the 20th Century (London: Paul Elek, 1977).
  • Menard, Wilmon, The Two Worlds of Somerset Maugham (Los Angeles: Sherbourne Press, 1965).
  • Meredith, George, The Ordeal of Richard FevereL A History of a Father and Son (Westminster: Archibald Constable, 1902).
  • Middleton Murry, J., Love, Freedom and Society (London: Jonathan Cape, 1957).
  • More, Thomas, Utopia, trans, by Paul Turner (Middlesex: Penguin, 1986).
  • Morgan, Louise, Writers at Work (London: Chatto and Windus, 1931).
  • Morgan, Ted, Somerset Maugham (London: Jonathan Cape, 1980).
  • Mueller, William R,, Celebration of Life Studies in Modern Fiction (New York: Sheed and Ward, 1972).
  • Muller, Herbert J., Modern Fiction. A Study of Values (New York: Funk and Wagnalls, 1937).
  • Murdoch, Iris, Sartre: Romantic Rationalist (Cambridge: Boxes and Bowes, 1953).
  • The Sovereignty of Good (London: Routlsdge and Kegan Paul, 1970).
  • MacCarthy, Desmond, William Somerset Maugham: The English Maupassant (London: Heinemann, 1934).
  • MacKay, L.A., 'Somerset Maugham', Canadian Forum, May 1936, pp.23-4.
  • McIver, Claude S., W. Somerset Maugham. A Study of Technique and Literary Sources (Philadelphia: [n.pub.], 1936).
  • Navia, L.E., Schopenhauer: His Philosophical Achievement (Brighton: Harvester Press, 1980).
  • Nehamas, Alexander, Nietzsche: Life as Literature (Cambridge, Massachusetts: Harvard University Press, 1985).
  • Neilson, K., 'Of Human Bondage', Masterplots, vol.7, (New Jersey: Salern Press, 1976), p.4288-!-.
  • Nichols, Beverly, A Case of Human Bondage (London: Seeker and Warburg, 1966).
  • Are They the Same at Home? (London: Jonathan Cape, 1929).
  • Nietzsche, Friedrich, The Genealogy of Morals, trans. by Horace B. Samuel (London: T.N. Foulis, 1910).
  • Beyond Good and Evil Prelude to a Philosophy of the Future, trans. by R.J. Hollingdale (Middlesex: Penguin, 1983).
  • Nooder, W., 'Somerset Maugham', Central Literary Magazine, 19 January 1938, pp.183-88.
  • Norris, Frank, Vandover and the Brute (Toronto: Musson Book Company, 1966).
  • Overton, Grant, When Winter Comes to Main Street (New York: George H. Doran, 1922).
  • Paramahansa, Yogananda, Autobiography of a Yogi (California: Self-Realizaticn Fellowship, 1981).
  • Perry, David L., The Concept of Pleasure (The Hague: Mounton, 1967).
  • Pfeiffer, Karl G., W. Somerset Maugham: A Candid Portrait (London: Victor Gollancz, 1959).
  • Quennell, Peter, The Pursuit of Happiness (Oxford: Oxford University Press, 1990).
  • Rank, Otto, Beyond Psychology (New York: Dover Publications, 1958).
  • Raphael, Frederic, W. Somerset Maugham and his World (London: Thames and Hudson, 1976).
  • Raven, Simon, 'Uncle Willie', Spectator, 8 April 1966, pp.439-440.
  • Richards, Jeffrey, Happiest Days. The Public Schools in English Fiction (Manchester: Manchester University Press, 1988).
  • Riposte, A., Gin and Bitters (New York: Farrar and Rinehard, 1931).
  • Roberts, Cecil, 'Somerset Maugham's Quest for Freedom'. Maugham Dissected, Books and Bookmen, January 1973, pp. 19-23.
  • Russell, Bertrand, History of Western Philosophy, and its Connection with Political and Social Circumstances from the Earliest Times to the Present Day (London: Allen and Unwin, 1946).
  • Marriage and Morals (London: Um/in Paperbacks, 1988).
  • The Conquest of Happiness (London: Allen and Unwin, 1960).
  • Sceptical Essays (London: Unwin Paperbacks, 1988)
  • Sanders, Charles, W. Somerset Maugham. An Annotated Bibliography of Writings about Him (Illinois: Northern Illinois University Press, 1970).
  • Sartre, Jean-Paul, Existentialism and Humanism, trans, by P. Mairet (London: Methuen, 1963).
  • Being and Nothingness. An Essay on Phenomenological Ontology, trans, by Hazel Barnes (London: Routledge, 1989).
  • Segal, Hanna, Introduction to the Work of Melanie Klein (London: Heinemann. Medical Books, 1964).
  • Shaffner, Randolph, The Apprenticeship Novel (New York: Peter Lang, 1984).
  • Shaw, Bernard, The Doctor's Dilemma, Getting Married, and The Shewing-Up of Blanco Posnet (London: Constable , 1928).
  • Shaw, Donald L., The Generation of 1898 in Spain (London: Ernest Benn, 1975).
  • Singer, Irving, The Nature of Love. The Modern World, vol.3 (Chicago: The University of Chicago Press, 1987).
  • Soong, Stephen C, 'My Father and Maugham', Renditions, n.3, trans. by Diana Yu, Autumn 1974.
  • Spinoza, Benedictus de, Ethics, trans, by Andrsvj Boyle (London: Dent and Sons, 1989).
  • Sprigge, T.L.S., Theories of Existence (London: Penguin, 1990).
  • Stanley, Thomas F. and Bernard Benstock, Approaches to Joyce's "Portrait". Ten Essays (Pittsburgh: University of Pittsburgh Press, 1976).
  • Starobinski, Jean, 'The Style of Autobiography', in Literary Style: A Symposium, ed. and in part trans, by Seymour Chatman (London: Oxford University Press, 1971).
  • Stott, Raymond Toole, A Bibliography of the Works of W. Somerset Maugham (London: Kaye and Ward, 1973).
  • Maughamiana (London: Heinemann, 1950).
  • — 'Mr. Maugham's Writings', Times Literary Supplement, 10 February 1950, p.96.
  • — 'Recollections of Somerset Maugham', Soundings: Collections of the University Library, University of California, 3, i , pp.7-17.
  • Subramani, 'The Mythical Quest: Literary Responses to the South Seas', Literary Half-Yearly, vol. 18, i , 1977, pp.165-186.
  • Swinnerton, Frank, The Georgian Literary Scene: A Panorama (London: Heinemann, 1935).
  • Tagore, Rabindranath, Sadhana: The Realisation of Life (London: MacMillan, 1918).
  • Tatarkiewicz, Wladyslaw, Analysis of Happiness (Warzawa: Polish Scientific Publishers, 1976).
  • Telfer, Elizabeth, Happiness (London: MacMillan Press, 1980).
  • Templin, E.H., 'Pio Baroja and Science', Hispanic Review, vol. xv, 1947, pp. 165-192.
  • Thackeray, W.M., The History of Pendennis. His Fortunes and Misfortunes, His Friends and His Greatest Enemy (London: Service and Paton, 1897).
  • 'Don Fernando - by W. Somerset Maugham', Times Literary Supplement, 27 June 1935, p.414.
  • 'William Somerset Maugham - By Richard Heron Ward', Times Literary Supplement, 2 October 1937, p.717.
  • 'W. Somerset Maugham - by Richard A. Cordell', Times Literary Supplement, 27 November 1937, p.913.
  • 'Stirring the Mixture', Times Literary Supplement, 21 August 1948, p.470.
  • 'Pencil and Rubber - W. Somerset Maugham: A Writer’s Notebook', 14 October 1949, p.659.
  • Thomas, David, Henrik Ibsen (London: MacMillan, 1983),
  • Towne, Charles Hanson, W. Somerset Maugham, Novelist, Essayist, Dramatist (New York: George H. Doran, 1925).
  • Uribe Echevarrla, Juan, Pio Baroja. Tecnica, estilo, personajes (Santiago de Chile: Editorial Universitaria, 1969).
  • Wahl, Jean, A Short History of Existentialism, trans. by Forrest Williams and Stanley Maron (New York: Philosophical Library, 1949).
  • Walkley, A.B., More Prejudice (London: Heinemann, 1923).
  • Walpole, Hugh, John Cornelius. His Life and Adventures (London: MacMillan, 1937).
  • Warnock, Mary, Existentialism (Oxford: Oxford University Press, 1989).
  • Existentialist Ethics (London: MacMillan, 19S7).
  • Webster, H.T., "Possible Influence of George Gissing's Workers in the Dawn on Maugham's Of Human Bondage" Modern Language Quarterly, vol. VII, September 1946, p.315.
  • Wilde, Oscar, The Picture of Dorian Gray (Paris: Charles Carrington, 1908).
  • Williams, Orlo, 'Realistic Prose Drama: Mr. Somerset Maughara's Last Plays', National Review, 1934, pp.676-683.
  • Wilson, Colin, The Outsider (London: Victor Gollancz, 1956).
  • Wilson, Edmund, Classics and Commercials. A Literary Chronicle of the Forties (London: Allen, 1951).
  • Winnicott, D.W., The Family and Individual Development (London: Tavistock Publications, 1965).
  • Wright, Elizabeth, Psychoanalytic Criticism. Theory in Practice (London: Methuen, 1984).
  • Zeldin, Theodore, Happiness (London: Picador, 1990).
  • Zola, Emile, Germinal (London: Penguin, 1954).

Altri progetti[modifica]

Per approfondire, vedi W. Somerset Maugham (en) e List of works by W. Somerset Maugham.

Filmografia[modifica]

Per approfondire, vedi Maugham al teatro e cinema (EN).
Per approfondire su Wikipedia, vedi le voci Schiavo d'amore (film 1934), Il filo del rasoio (film 1946) e Il filo del rasoio (film 1984).

Opere (IT)[modifica]

Per approfondire su Wikipedia, vedi le voci Schiavo d'amore (romanzo), La luna e sei soldi, Il velo dipinto (romanzo) e Il filo del rasoio (Somerset Maugham).
Per approfondire, vedi Serie letteratura moderna, Serie delle interpretazioni e Serie dei sentimenti.