Protestando in musica/Fonti

Wikibooks, manuali e libri di testo liberi.
Indice del libro
Poster del film-documentario Dont Look Back (1967), che segue Bob Dylan nel suo tour dell'Inghilterra nel 1965

Fonti citate[modifica]

  • Bates, Thomas R. “Gramsci and the Theory of Hegemony” in Journal of the History of Ideas, Vol. 36, No.2, April- June, 1975, pp. 351- 366.
  • Behague, Gerard. “Latin American Music Review.” Latin American Music Review, vol.9, no.2, 1988, pp. 260- 272.
  • Bennet, Tony. Popular Culture: A Teaching Object. Open Univ. Press, 1980.
  • Bhabha, Homi. The Location of Culture. Routledge, 1994.
  • Constable, Nicole. Maid to Order in Hong Kong. Cornell University Press, 2017.
  • Bob Dylan : Lyrics 1962-1985. Paladin, 1988.
  • Dogget, Peter. There’s A Riot Going On: Revolutionaries, Rock Stars and the Rise and Fall of ‘60s Counter-Culture. Canongate, 2008.
  • Dylan, Bob. Chronicles: Volume One. Simon & Schuster Paperbacks, 2004.
  • Eagleton, Terry. Marxism and Literary Criticism. Routledge, 1989.
  • Engdahl, Horace. “The Nobel Prize in Literature 2016-Presentation Speech”. Nobel Media Ab 2014.
  • Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge Univ. Press, 1996.
  • Foucault, Michel. The History of Sexuality: An Introduction. Random House, 1990.
  • ——. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.
  • ——. Power/Knowledge. Select Interviews and Other Writings, 1972-1977. Ed. Colin Gordon. Trad. Colin Gordon, Leo Marshal, John Mepham & Kate Soper.
  • Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Engaging Categories from Ossian to Wagner. Cambridge University Press, 2007.
  • Ginsberg, Allen. No Direction Home. Paramount Pictures, 2005.
  • Gray, Michael. The Bob Dylan Encyclopedia. Bloomsbury Academic, 2006.
  • Hebdige, Dick. Subculture: The Meaning of Style. Routledge, 1979.
  • Heylin, Clinton. Bob Dylan: Behind the Shades Revisited. Harpers Entertainment, 2003.
  • "Home Front Turmoil: The 1960s." Cold War Reference Library.
  • Lawrence, Samuel. The American Dream: A Cultural History. Syracuse University Press, 2012.
  • Lynskey, Dorian. 33 Revolutions Per Minute: A History of Protest Songs from Billie Holiday to Green Day. HarperCollins P., 2011.
  • Machin, David. Analysing Popular Music: Image, Sound and Text. Sage Publications Inc., 2010.
  • Maltby, Richard. Introduction in Dreams for Sale: Popular Culture in the 20th Century. Harrap, 1989.
  • Marx, Karl e Friedrich Engels. The German Ideology. Ed. Christopher John Arthur. International Publishers Co., 1972.
  • Mckeen, William. Bob Dylan: A Bio-bibliography. The Greenwood Press, 1993.
  • Merriam, Alan P. The Anthropology of Music. Northwestern University Press, 1964.
  • Negus, Keith. Bob Dylan: Icons of Pop Music. Equinox Publishing Limited. 2014.
  • Rivkin, Julie e Michael Ryan. ed. Literary Theory: An Anthology. 2nd Edition. Blackwell, 2004.
  • Ross, Andrew. No Respect: Intellectuals and Popular Culture. Routledge, 1989.
  • Rottman, Gordon L. The US Army in the Vietnam War 1965-73: Battle Orders. Bloomsbury Publishing, 2013.
  • Roszak, Theodore. The Making of a Counter Culture. Doubleday Publishing, 1983.
  • Storey, John. Cultural Theory and Popular Culture: An Introduction. Longman, 2008.
  • Turino, Thomas. Music as Social Life : The Politics of Social Participation. University of Chicago Press, 2008.
  • Wilentz, Sean. Bob Dylan in America. Random House, 2011.
  • Williams, Raymond. Keywords : A Vocabulary of Culture and Society. Fontana, 1983.
  • Yinger, Milton P. “Counterculture and Subculture.” American Sociological Review, Vol. 25, No. 5, Oct. 1960, pp. 625- 635.
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